It wasn't long before we decided that our respective minds would collaborate on something bound-to-be-great.
"JTE Holdin' Smoke" on Dusty Black, by Barking Irons (2009)
Check out some JTE tunes
All the mystique and wonder of New York's Bowery life brought to you by your friendly neighbors, The Barking Irons.
"JTE Holdin' Smoke" on Dusty Black, by Barking Irons (2009)
The year 2009 is drawing to a close. Before it does, The Mulberry Bend would like to recognize that it was this year that stood as the 400th anniversary of Henry Hudson's historic arrival into Hudson Bay. He did this of course on his good ship The Half Moon on Sept 12th, 1609.
The brothers Followill, proud sons of Tennessee, may be hitting their stride in 2009 with a breakneck touring schedule, a string of huge singles, and more fan power than ever before.In July, the KOL dropped in on the Barking Irons Bowery digs (as reported by MB) to discuss some new art work that Barking Irons had made expressly for the Kings of Leon. After the guys happily approved the work, Barking Irons set out to produce a limited edition run of three ultra-soft, beautifully made t-shirts to be sold on tour with the band. It is MB's distinct pleasure to showcase them here now:

YOUNG LOVERS - ONLY BY THE NIGHT
In 1860, the city commission of New York issued a design contest for a landscaping plan to fill the center portion of Manhattan island. Over 1000 entries were submitted from all over the globe, but it was a submission by Fredick Law Olmstead and Calvert Vaux entitled, "The Greensward Plan" that ultimately won the day.
The ambitious Greensward Plan proposed roughly 8 years of massive terraforming and redirection of waterways in order to reconfigure the feral, rock-strewn land into a sprawling opus of open public space in the center of the country's most crowded city.

It is remarkable to remember that while it may seem like a preserved natural space, Central Park and the Greensward Plan represent the totalizing efffect of man-made space. Every square foot of Central Park was mapped out and reformed by steam shovels and good old-fashioned Irish labor, more than anything else it represents man's ideal vision of nature.
Thank you Sean-William Scott for your wearing on chest a most memorable homage to manscaping.
The Greenward shirt is available on the Back Door section of the Barking Irons webstore, get yours NOW!!!
Preeminent rock band Kings of Leon dropped in on the Barking Irons Bowery digs last week to pick up some of our latest spring wares and to discuss a potential partnership with the Bowery Boys -more details to come.
Bear Mountain area, New York. As unlikely a place as ever to find landmark evidence of a big impact on menswear. But hark! This is no ordinary place. This is sacred ground of the Algonquin’s. Home of the Bear they called it after the great Sachem (chief) P’Tauk-Seet (the Bear) pronounced (Tuck-Seet). A village exists here that has held a legend in mens fashion for over a century.
But before this story unravels itself lets take a trip back to England in the 1880's. The Prince of Wales has commissioned Henry Poole & Co. to tailor a special smoking jacket hybrid for him that will allow him to attend semi-casual galas without going through the ritual ‘top & tails’ routine of high class dinner-wear. It is rumored that the then Prince (Edward VII) had his eye on a young Cora Potter from America. Cora was a beautiful southern girl born in New Orleans and married to one James Potter of New York (Cue J. K. Rowling fans). Although Potter was not a wizard, he was a successful coffee broker and a highly influential dinner club founder back in the states. Thus in 1886 he and his wife were invited to attend a ball at the Prince's Sandringham, Norfolk estate in the UK. When James Potter asked the Prince what would be appropriate to wear to such an event, the Prince referred him to his custom tailor to get fitted for his newly designed dinner-wear. A ploy to get time alone with Mrs. Potter?
Funnily enough, Cora did not return immediately to America. She stayed behind in England to pursue acting, while James returned to New York to continue his business and social presence. In New York, James Potter wore his new outfit from the UK all around town and at his private dinner club near Bear Mountain. Customers at the popular dinner spot Delmonico's were noted to constantly ask where the attractive new attire was from. Most of the time, Potter’s dinner club was sighted as the area of attraction for this mysterious and new garb. Consequently Potter’s dinner club which was located back northwest of New York City was given credit for the uprising of this trend. P'tauk-Seet-Tough (Tuck-Seet-Toe) or Home of the Bear by that time (1870's-1880's) was known as Tuxedo, New York. Rather by chance or by the winds of fate, Edward VII, Cora & James Potter, and Algonquin Sachem P'Tauk-Seet had all played a hand in inventing the American Tuxedo.
It is difficult for a gentleman to be discerning nowadays. Smaller independent brands are either destined to a shadowy existence or
It is a classic business tale of David & Goliath: we have to rely on getting scrappy and staying lean in order to hold out in this fight. There are several factors working against us, but being a nimble brand is our greatest strength if we can hang in there long enough. The armchair economists predict that the economy will bounce back again, maybe so, but I glean from the experts that we may not have hit the bottom yet. Until then, we here on the Bowery are going to keep our candles burning...
New Fall Collection In Stores; available at Bloomingdales & Nordstroms as well as other specialty retailers

You may say that its the lack of the surname that excludes the Bowery from other streets. Then again, Broadway doesn’t have a surname. Or is it because it has the word “Way” in it that it may be excused from such trials? It is however true that the Bowery had a surname prior to 1807, where it was then called a Road and before that a Lane. But to know why Bowery is called simply Bowery is to know how this road to perdition became such a mark on Manhattan in the first place.
Bowery and Grand St. with the old 'L' tracks casting shadows for theives to hide.
Bowery or Bouwerij in the old Dutch spelling was, the little country road to Peter Stuyvesant’s farm established in the 17th century. Bouwerij literally meant farm or farmland. Peter Stuyvesant was the patriarch of New York. A peg legged dutchman who single handedly purified young New York from the sins of an unruly colony of farmers and feuding dutch traders.
Later on, in the 19th century, Bowery became the poor man’s Broadway. It was filled with Museums, Theaters and Flop Houses of the day. Song writer Stephen Foster died on the Bowery, George Washington drank on the Bowery and legend has it there has never been any Churches built on the Bowery. That fact can be claimed by no other main artery of Manhattan. Perhaps that is a clue to the Bowery's true identity. For Bowery was never a safe road (until Whole Foods opened).
The Bowery’s fall from grace began almost at the same time that it gained notoriety. Covered by a giant ‘L’ in the mid 19th century (which explains why the street is so wide today), it was cast in a dark shadow. This, no doubt, aided its mystique and its violence. Many gangs roamed the Bowery. From the Atlantic Guard to the Slaughterhousers to the Bowery B’hoys, each new decade brought more infamy. Then during 70’s and 80’s the Bowery was born again. It was the famed birthplace of punk, some might say. A baptism occurred, as the Ramones took the stage for the first time in 1974. Located at 315 Bowery, CBGB’s became a mecca for the new punk scene. But as worshipped as CBGB's was, it was not the church of the Bowery.
For our Fall 2007 season I was being dragged into this "ghostly" theme by my research. Originally it wasn’t a conscious idea, it was more a theme that I kept running into accidentally. I became aware of it after prints started looking diffused rather than sharp. This diffusion was more or less a defense against knock offs. With all the iconography cropping up in prints now-a-days, I was trying to get a distinct technique that would separate Barking Irons from the recent flare of antique prints. Most of it is done with my pencil, but some of it is a result of older print shop methods and halftones in some of our out of print books.
The Daniel Divver print is not an example of this diffusion, but it is an example of how the now conscious theme of ghosts has become a part of the Fall 2007 collection.
Daniel Divver was born in Ireland in 1839. Soon after he came to New York and lived in the city's 4th Ward (Lower East Side closest to the East River). Divver, like all youth, had a fascination with being a volunteer fireman. When he became of age he joined the Eagle Engine Company No. 13 and proved his worth as one of the ladder's best men. As soon as the Civil War broke out, Daniel Divver joined the First Fire Zouaves and was elected Second Lieutenant. In 1861 during the battle of Bull Run, Divver's company met with a rally of Rebels.
Outnumbered and too proud to turn tail, Divver is reported to have rolled up he sleeves and yelled his old engine company's familiar "Get Down, Old Hague!" before rushing forward to his death. The Zouaves eventually pushed the Rebel force back enough to find Divver's body before his final breath. They said their goodbyes but could not move him as the South made another sally and Daniel Divver was never seen again. Until now. . .
